夢遊病者 Osaka, Japan
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Hidden History of the Human Race
by Blood Incantation
supported by 13 fans who also own “Sutekh Hexen - ནག་པ་”
never been a big death metal fan but this is actually super accessible for the genre, has fun concepts, and personally i'm always a fan of albums with short tracklists and huge runtimes (for individual songs) Great time, good jumping on point for newbies too.
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supported by 12 fans who also own “Sutekh Hexen - ནག་པ་”
" With a plethora of Classical, Jazz and ethnic instrument guest musicians and singers the enigmatic Far Beyond Post Black Metal trio takes us on an unfathomable journey between completely bonkers chaos which seemingly unites Blut Aus Nord and Mr. Bungle, and relatively relaxed Western and Doomjazz passages, while always maintaining a spellbinding atmosphere." https://derohlsen.blogspot.com/2023/12/cassette-craze-chronicles-xxxi-feat.html
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supported by 11 fans who also own “Sutekh Hexen - ནག་པ་”
Tout est une question de perspective. En regardant la pochette d'Algleymi, on se dira : "c'est un constat d'échec de l'humanité face aux puissances cosmiques". Mais le gigantisme de cette silhouette est un signe que Misþyrming veut plutôt s'emparer de cette puissance et le black metal le confirmera très vite. Il est plus maîtrisé, massif et épique. Si le chant est déjà impressionnant, dégageant plus de haine, les guitares sont de leur côté absolument monumentales. Un chef-d'œuvre du genre !
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ON040 - Monoceros
by Forcefed Horsehead
Forcefed Horsehead describe themselves as “grindpunk,” and their visceral mesh of extreme metal subgenres heads direct for the pit.
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NO ESPERANZA
by this is the part where you help me
This Jersey crew makes a ferocious mix of guttural grind and heavy hardcore punk, with lyrics aimed square at sociopolitical ills.
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SORROW - a reimagining of Gorecki's 3rd Symphony
by Colin Stetson
Saxophonist and multi-reedist Stetson was so enamored by Gorecki's emotive 3rd Symphony he created his own version.
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supported by 10 fans who also own “Sutekh Hexen - ནག་པ་”
Wow, what a spectral experience, while also being satisfying. What is the difference between excellent and satisfying avant garde music and the other stuff? Construction, intention, and organization vs. random, loud noise wankery that doesn't fire any neurons. This is firmly the former. The chaos is sculpted to create lush scenes and feelings, melodies emerge from the haze like silhouettes stalking the trees in the night forest, instruments are all well chosen and arrangements thoughtful.
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